Thursday, 13 September 2012

Let the workshops begin....

This Saturday sees the first of the Archive workshops at Matlock with the Derbyshire County Council archivist.  Those of you booked on will have received your joining instructions and requirements list. There are still two places available for last minute entrants for Diana Syders workhop - just to remind you ...
Diana’s Biography:
“I am a painter and poet. As a painter I work in all media and move between abstract, semi-abstract and figurative styles. I regularly exhibit and in 2005 won the Derbyshire County Council Oil painting prize. My work can be seen at Bakewell Art and Design, and The Beetroot Tree, Draycott. At the time of writing I have a painting in The Harley Gallery open exhibition, Welbeck, and an exhibition scheduled for June 2013 at Buxton Museum and Art Gallery. I tutor painting workshops and demonstrations. I’m also a poet for whom science and nature are major themes, with four published collections: String, Maxwell’s Rainbow (a Poetry Book Society Recommendation), Hubble, and Planet Box. I have a ‘Public Awareness of Science Award’ from the Institute of Physics for my poetry and, as a poet, am on the British Council’s list of science writers. I have taught and tutored creative writing extensively both in universities and with community groups. I live and work in Taddington in the Derbyshire Peak District where I design our Well Dressing. We use around 60 different materials, so in late August I can usually be found up to my knees in foliage and flowers, leading our petalling team.

Intention for the day:

‘Writing in pictures, drawing in words’
Artists often find inspiration in text, just as writers find inspiration in visual images. This workshop will give you a chance to experiment in both media. We’ll take ideas from the archivist’s talk and images from ancient documents to jump-start both your verbal and visual imaginations. A series of stimulating, interconnected exercises will take you beyond the obvious, leading towards a final piece that combines both text and visual images/textures. This is an opportunity to broaden your Archive project work, or to introduce new elements into your practice. Don’t worry if you think you can’t draw or can’t write; you will surprise yourself! You will go home with all sorts of interesting visual and written material and brimming with ideas for further work.
Requirements for the day:

Plastic sheeting to protect your workspace, , kitchen roll/cleaning rags, a hairdryer, charcoal, 4 large plastic pots (eg large yoghurt) , large drawing board (eg 76 x 76cms OR you can work on the table surface), white pastel, 2 household paint brushes (between ½ inch and 2 inches), graphite, w/sol graphite sticks, pencils, a chunky eraser (not a putty rubber). Any other implements you can’t bear to leave home without. A piece of any fabric....this could be a scarf, or anything you have in your workbox, size not critical but somewhere between a square foot and a square metre.
We will provide acrylic paint in black and white plus large sheets of cartridge paper.

I will be publishing pictures from the session sometime during the week following so watch this space...

Monday, 27 August 2012

The workshop bookings are as follows at end of August:

Matlock 15th September 2 places left

Lincoln 22nd September 2 places left
## New workshop with Ali Samain 6th October at Leicester ## This replaces the original workshop at Northampton - 5 places left

Leicester 20th October (Full)

##New workshop with Ali Samain at Northampton 27th October## lots of space available
Nottingham 10th November 2 places left


Saturday, 18 August 2012

Workshops

Hi, sorry the blog has been quiet of late - I am in the middle of major house renovations at home, had my e-mail 'phished and compromised' (now sorted) and could make another dozen excuses which I won't bore you with...

See post below re an exhibition in Peterboro' - sorry not long to run now.

The workshop bookings are as follows at mid August:

Leicester full (plus waiting list)
Nottingham 3 places left
Lincoln 2 places left
Matlock 3 places left

Northampton - I have 10 places left on 6th October (it clashes with Northants AGM) so am trying to relocate the 6th October to another venue - preferably Leicester.
An additional date has therefore been added with Ali Samain in Northampton for 27th October

"Store of heavenly learning"

"Store of heavenly learning"
A special exhibition celebrating the 400th Anniversary of the King James Bible.

For the first time in the history of Elton Hall, outstanding bibles and early manuscripts are on display throughout the summer opening.  This exhibition covers the history of the English Bible from the early 14th Century to the publication of the King James Bible in 1611.

Opening times  

Hall and Gardens  2pm - 5pm
August: Wednesday, Thursday & Sunday. August Bank Holiday: Monday 27th.

Thursday, 31 May 2012

St Cuthberts Link

I managed a flying visit to the British Library on the 30th - insufficient time to see the main exhibition 'Writing the World' but long enough to see the most expensive book ever purchased by the British Library -
£9 million for the pocket book St Cuthberts Gospel (see blog from 8th May: Texts at the BL).

For those of you who have completed City & Guilds Embroidery at some point in your 'career' you will almost certainly have looked at Opus Anglicanum - more particularly St Cuthberts stole and maniple


I hadn't made the connection - but this little book, for some time, shared coffin space with St Cuthberts stole - so if you are looking for a link with embroideries - this is it...

The oldest embroideries to survive date back to the Anglo Saxon period, including St Cuthbert's stole and maniple embroidered in gold thread circa 10th century. They are currently on display at Durham Cathedral.

Opus Anglicanum (English Work) was famed for its fine goldwork, underside couching and use of spiral stitch.

The greatest period of Opus Anglicanum 1250-1350 saw embroidery exported all over Europe as gifts to Kings. It coincided with the height of English illuminated manuscripts, and manuscript illuminators were probably involved in embroidery designs.

The exhibition includes a short video of the process of marking vellum before writing, and the way this little book is lit in its glass case you can clearly see the lines after many hundreds of years.


Oh and whilst I was there I came upon a new word (well to me anyway) 'Gauffered' referring to the tooled leather on the covers. It just strucka chord - thought I might start a glossary...

Monday, 28 May 2012

Consider other cultures:

Mandalas: vividly depicted manuscripts, often ephemeral but still relaying information.

Jain - invitation scroll or Vijñaptipatra

A highly decorated formal letter inviting a leading monk of a certain monastic group to spend the next rainy season in a certain place.
These invitations take the form of long scrolls with text and paintings. The text consists of poetical description and praises.
 An example of an invitation scroll may be seen below
  

Monday, 21 May 2012

Aspects to think about:
Qumran jar that held dead sea scrolls
There is often a box in which records are stored; a shoe box in the attic or an elaborately decorative form of protection?
The form the documents took?
Records took several forms in early history and the ones you see will vary.
Was there a scroll? They are lovely things that you unroll ahead and roll up behind as you read.
Consider Devotional scrolls:  
Ancient parchment scrolls raise many questions   Who wrote them? Why? What function did they serve?  How were they used? Are they personal devotional scrolls used prayer? Could they have been for personal study? Are they something else entirely? Many fragments exist of a wide variety of styles, age, and content representing a myriad of ideas hopes and purposes.
 
See images and read a review by clicking on:  Dead Sea Scrolls: Life and Faith in Biblical Times exhibition recently held in Times Sq New York.  The exhibit featured items dating back nearly 3000 years ago to the time of King Solomon.